Graphic designer based in London. Skills in editorial design, typography, branding, print design, zine production, digital design, video editing & social media. Companies I’ve worked with include Peckham Levels, Mixmag, The Digital Fairy, Foundation.FM, Worldwide FM, Young Artists, XL Recordings, New Bohemia Music, The Fitting Room and more.

For work enquires / collaborations feel free to contact me at


I started a publication in 2017 about women interested in music production and DJing, which overtime developed into a project faciliating a wider conversation about community in dance music.

During 4 years, I release 4 issues: 
#1 The OG (2017)
#2 Do It Yourself (2018)
#3 Real Talk (2019)
#4 These Four Walls (2020)
  • Self-Initiated Project
  • Editorial Design / Print & Zine Production/ Art Direction
  • (2017 - 2021)

I juggled many roles whilst running Pink Noise including; content curation, editing, social media management, design, print production (digital & risograph), project managing, accounting and more. This project also gave me the opportunity to collaborate with core people within the industry including the artist’s that were featured, designers such as Tommy Brentnall & CM-DP, as well as my co-editors Rihana Osman & Anastasia Glover. 

This project has been featured in It’s Nice That, Mixmag, I-D, Red Bull and Elle.

ISSUE #4: These Four Walls (2020)

Issue 4’s theme came at a weird time. We started the curation of ‘These Four Walls’ back in October 2019, calling out for submissions around the theme ‘Spaces’, however, in light of the pandemic we had to have a think about how this affected our plans and theme.

We felt like the conversations about Spaces were ever-changing but still very relevant to what was going on around us, seeing the shift to digital spaces, reflecting on how we left our physical spaces and the improvements that can be made. A time of reflection to seek truly safe spaces before the world and those spaces re-opened. The pieces were edited and changed throughout the pandemic to reflect the new conversations that were being had and developements being made.  

Printed with Pagemasters, 3 colour riso on recycled paper stock. Design inspired by the fusion of digital spaces and nature, from open source type foundary GlyphWorld. Co-edited & curated with Rihana Osman.

Good Night Out: A workshop on safety and accessibilty for D/deaf and disabled people in our nightlife (facilated by Kai Stone
Chloe French: Exploring revolutionary spaces in Leeds featuring Tongue N Teeth & Party Moms Society
Eden Alison: Living Inside the Outside Margin
Chalane Bauzo: One Step Forwards, Two Steps Back
Misha Faulty: Screaming For Earplugs
Samatha Schaeffer: Safety Vs Security in Clubs

The OS Community
Partisan Collective
+ more!

ISSUE #3: Real Talk (2019) 

‘Real Talk’ was an outreach for longer-more opinion based essays from our readers & fan-base. Whilst curating this issue, we spoke to not only producers & DJs but also people who play other very crucial parts in the club & dance music scene such as promoters and punters.

 I personally funded this issue without any additional funding so I had the challenge of working with a limited budget. I sourced a digital printer and used a off-white background on 120gsm uncoated paper emulate a higher quality natural paper stock.
A Meme Is Worth 1000 Words by Samantha Schaefer
Cut The Crap by Pheobe Gardener
How I Maintain My Box by Eden Alison
Music production guide with Ciel, Octo Octa & Ikonika
Sydd’s Mixing Tips

Sita Abellan
Esme (Earwax)
Slut Drop Leeds
Frankie (Foundation FM)

ISSUE #2:Do It Yourself (2018)

Do It Yourself was a celebration of the DIY culture & community within dance music. Filled with a mix of guides and educational resources on how to get involved in the scene and create your own community. From beginners tips on buying and using CDJs, a UK DJ workshop directory + lots of inspiring interviews from pro’s in the industry. This issue was featured in It’s Nice That, Mixmag, I-D, Red Bull and Elle.

Designed, hand printed & binded by me. I took inspiration from 90’s rave flyers & cyber-punk aesthetics. I used a recyled off-set 100gsm paper stock, printed on a risograph with a limted run of 100 copies.  
Beginnners CDJ Tips
Interview: Kidä
DJ Workshop Directory
Interview: Meat Free MCR
A DIY clubnight guide
Interview: Frankie & Umfang (Discwoman)
Interview: Sarra Wild
Miley Serious 
Artwork by Glasgow artist Miu Hatano 

ISSUE #1: The OG (2017)

I started Pink Noise Zine in 2017 when I first moved to London and started getting interested in electronic music and clubbing. I noticed how male-dominated the scene was and the lack of accessibilty to those on the outside. I reached out to a number of artists I admired inviting them to have a discussion about how the scene could be more accessible. The OG is a collection of those coversations.

Designed, hand printed & binded by me. I took insiration from Ascii type and free open-source Sci-Fi typefaces. I used a Kaskad Salmon 80gsm paper stock, printed on a risograph with a limted run of 50 copies.
Umfang (Discwoman)
Call Super
Mali / Z-Lovecraft (Rhythm Section)
Minimal Violence
Girls In Sound (MINA)
Yanna Richards