Currently based at TCO London
Skills in art direction, print & editorial, digital design, branding, video editing & social media strategy.
Previously worked with Peckham Levels, Mixmag, The Digital Fairy, Foundation.FM, Worldwide FM, Young Artists/XL Recordings, New Bohemia Music, Giant Artist Management and more.
Dance Music Publication
2017-2022
I started a publication in 2017 about women interested in music production and DJing, which overtime developed into a project faciliating a wider conversation about community in dance music. This project has been featured in It’s Nice That, Mixmag, I-D, Red Bull and Elle.
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Editorial Design
2026
Coming Soon!
Branding & Digital Assets
2026
Creating a bold, simple but energetic identity for Studio 208, an audio design studio producing bespoke music and sound design across a versatile range of styles for media and branding projects.
The visual identity translates the energy and movement of sound into a visual language, using glowing gradients, vibrant colour combinations and fluid graphic elements. Audio visualisers became a key part of the system, bringing the studio’s licensable track library to life.
The identity was designed to feel dynamic, immersive and adaptable, allowing the visuals to shift and respond with the studio as it grows and creating a distinctive digital presence for the studio.
Editorial Design
2024
Celebrating the blood, sweat and tears that all sportspeople — from elite athletes to amateur hobbyists — put in day in, day out. Huck 81 brings together interviews and features with professional surfer Laura Crane, British paratriathlete George Peasgood, dubstep and grime producer Joker, Premier League footballer and masked rapper Dide, Sheffield-born artist Corbin Shaw and many more.
The visual direction was inspired by bootleg graphic apparel, sports fan collectables and the DIY culture surrounding sport. I created bold 3D type lock-ups inspired by the oversized graphics and lettering found on bootleg sportswear, alongside sporty patterns and graphic elements that run throughout the spreads.
To keep the imagery feeling tactile and handmade within a limited budget, I created a series of collaged illustrations, cutting up relevant imagery and combining it with found textures before scanning the compositions back in. This gave the spreads a rough, physical quality and helped build a visual language that felt energetic, playful and rooted in the DIY nature of sports culture and fan-made art.
Designed alongside Liam Johnston
Cover by Tertia Nash
Magazine Rebrand
2024-2025
Bringing the print world of Little White Lies to life across digital platforms. I developed a flexible colour palette of dark, mid and light tones to create bold, contrasting colour combinations across digital assets. The display typefaces were all open-source, genre-specific fonts inspired by film title sequences, including Vampiro One (Script), Grenze Gotisch (Blackletter) and Hepta Slab (Slab Serif).
I also developed a graphic language by lifting design elements from the print magazine, including the use of line dividers and typefaces (Replica, Relative and Chronicle), and translating these into a digital context. Viewfinder-inspired and panoramic image frames were introduced across digital assets to further reinforce the cinematic feel.
Alongside this, I developed the branding for Club Little White Lies, including a logo lock-up and promotional digital assets. This carried across the typefaces and line dividers from the print magazine, while introducing the softer pastel tones from the wider colour palette.
The visual direction was inspired by analogue film, artisanal craft and archival ephemera; bringing together the tactile qualities of old cinema and printed matter with a more playful, contemporary digital language and the use of light leak and film textures.
Digital Design
2025
In an age of digital oversaturation Analogue Appreciation meets a desire to connect our audiences with tangible objects. Creative pioneers pick out a piece of physical media they own – a book, record, artwork, magazine – or an object, and to explain why it is so important to them. Each featured object serves as a tangible reflection of a moment, an emotion, or an experience that one of our culture pioneers has had, elevating physical objects that hold true meaning.
Print Leaflet
2025
Inspired by Netflix’s light spectrum ident and glowing visual language, this booklet explores the use of gradients, glows and vibrant colour to create texture, depth and moments of surprise. Darker, dramatic gradients are broken up with vibrant glows, creating contrast and guiding the reader through the content.
A flexible grid and block-based system combines gradients, block colour, imagery and typography, allowing content to be easily segmented while creating a sense of rhythm and separation across different features.
The cover uses matt fluorescent red stock with holographic foil detailing, playing with light and reflection to echo the booklet’s wider visual language. The FYSEE lock-up provided by Netflix was used as the central cover detail.
Art Direction & Design: Moira Letby
Design Director: Tertia Nash
Editor Lead: Clive Wilson & Ryan Cahill
Editorial: David Jenkins, Dino Bonacic, Emma Fraser, Jack King, Kambole Campbell, Megan Wallace & Ryan Cahill